52 pages • 1 hour read
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Hana and Keishin’s adventures through Hana’s magical world launch their intersecting pursuit of happiness. Before Hana meets Keishin, she’s convinced that “[l]iving without a dream [makes] things simpler” (19). Her regimented routine doesn’t “leave[e] any room for daydreams” (19), and she therefore doesn’t allow herself to imagine what her life could be if she weren’t fated to run her family’s pawnshop. Happiness is a figment of the imagination that Hana has learned not to seek. Before Keishin meets Hana, happiness also feels illusive to him. He marries himself to the world of science because this field of study grants him a sense of order and logic—neither of which applies to human contentment. Because “[s]cience isn’t about finding happiness” (247), Keishin learns to deny himself pleasure so that he can apply himself to his work. The characters’ meeting disrupts these notions. Over time, they challenge each other to redefine what happiness could mean. Once they start asking questions about how the world really works and what they really want for themselves, they discover that happiness might be in reach. The novel thus suggests that life’s unexpected happenings and surprising experiences might in fact offer joy and contentment.
Hana and Keishin discover that loving each other gives them happiness and fulfillment. Their complex love affair throughout the novel opens both characters to new experiences and emotions. Once they allow themselves to engage in life in new ways, they feel more alive. Being together suddenly makes “happiness [feel] simple to obtain” (247). Their life-giving romantic connection proves the novel’s central notion that “[h]appiness does not exist in a place” but rather “lives in every breath we take” (288). The only way for Hana and Keishin to find and experience this contentment is “to choose to take it in, over and over again” (288).
Throughout their lives, both Hana and Keishin have convinced themselves that they don’t have the luxury of being happy. Hana feels trapped by her responsibilities to her family, and Keishin feels trapped by his childhood trauma. Their perceived futures and weighty pasts thus compromise their ability to engage with life in the present. Together, however, they learn to embrace life and experience each moment as a new and exciting adventure. Once they open themselves to life, they open themselves to love. In turn, they find lasting happiness. Their reunion at the novel’s end completes their respective quests for contentment and offers them a hopeful future.
The novel’s thematic exploration of the Pursuit of Happiness is entangled with its concurrent exploration concerning freedom of choice. The purpose behind Hana and her family’s magical pawnshop conveys how choice can both burden and liberate an individual. At the pawnshop, clients from the opposite world can trade the choices they regret in exchange for peace of mind. The choices take the form of birds, which Hana and Toshio cage in the pawnshop vault. Birds archetypally represent freedom because they conjure notions of flight. The caged birds thus evoke notions of entrapment and imprisonment. Furthermore, each bird “radiate[s] the light from all the possibilities” that the choice contains (35). This vivid, magical imagery implies that one’s ability to make their own decisions—whether advisable or not—offers them autonomy over their life. While the members of Keishin’s world see their agency as a burden, Hana comes to see it as a form of liberation.
Hana’s character and storyline reiterate these notions. When she was a child, the Hiroshi inked her entire life’s map on her skin. Because she has known her fate since she was young, she feels incapable of making her own choices. When she meets Keishin, he disrupts the path that was predetermined for her and forces her to question her own agency. Convinced that she has no free will, Hana tries to follow her mapped fate. She initially fears defying the map because she’s convinced that making her own choices will lead to her death. At the same time, she envies Keishin because he can “go anywhere he wish[es], say anything he want[s], and chase after whatever he desire[s]” (69). While Hana feels trapped by her limited life in the pawnshop, she sees Keishin as “the wind and the rain, unshackled and unpredictable, a storm swirling in her palm” (69). This vivid imagery and figurative language capture Hana’s yet unarticulated desire to be free. Like her mother, she craves liberation and newness. Innately curious, Hana longs to act on her desires and make her own mistakes.
Keishin teaches Hana that she’s freer than she led herself to believe. He helps her see that while she was following her supposedly inevitable fate, she has in fact been choosing to abide by the map on her skin. With his encouragement, Hana decides to defy her family’s, culture’s, and world’s expectations of her to carve her own path and claim her own fate. The novel thus suggests that what truly hinders an individual is the elimination of choice. When one can make decisions for oneself, one is free.
Hana’s life at the pawnshop traps her between her duty to her family and her desire to pursue her dreams. At 21 years old, she assumes control of the pawnshop from her father, Toshio. Even though she’s reluctant to accept this fate, she feels incapable of questioning it. Her family has “run the pawnshop for generations” (4), and it’s Hana’s responsibility to take over the business in light of her mother’s exile and her father’s retirement. However, Hana takes after her mother, Chiyo: “Impulsive. Questioning. Free” (171). She longs to exercise her agency and defy her family’s expectations yet fears the repercussions. She keeps “tr[ying] to fight her nature” (171), both to protect her father and to avoid the wrath and punishment of the Shiikuin. However, marrying herself to these expectations puts Hana in constant conflict with herself and the world around her. Throughout the novel, she vacillates between her innate instinct to rebel and her simultaneous fear of disappointing her family. Her internal conflict creates a tense narrative atmosphere and mobilizes Hana’s ongoing journey.
While the pawnshop symbolizes duty, Keishin’s character symbolizes desire. The pawnshop represents the life that Hana feels obligated to live for her family’s sake; Keishin represents the life she longs to explore and experience for herself. Throughout most of the novel, Hana is looking for her parents with Keishin by her side. She’s thus actively embroiled in a battle between what’s expected of her and what she wants for herself. She attempts to satisfy her duty to her family by finding her parents while also trying to pursue her personal desires by staying with Keishin. These competing feelings complicate Hana’s ability to discover herself freely.
The way Hana was raised is antithetical to her soulish longings. Since she was a child, Toshio has taught her “that appraising the choices brought to the pawnshop require[s] detaching [her] emotions from [her] actions and thoughts” (314). Toshio expected her to “do the same [in] examining [her] own decisions” (314). However, with Keishin, Hana struggles to maintain the emotional detachment necessary to fulfill her pawnshop duties. Her feelings for Keishin are real and thus come from her authentic spirit; in contrast, her feelings for the pawnshop were instilled in her but don’t originate from her heart. When Hana decides to close the pawnshop and join Keishin in his world, she embraces her own desire over her perceived duty. Doing so frees her to be happy on her own terms.
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