52 pages 1 hour read

Water Moon

Fiction | Novel | Adult

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Symbols & Motifs

Pawnshop

Content Warning: This section of the guide includes discussion of death.

Hana’s pawnshop symbolizes duty. The shop has been in Hana’s family for many generations. In their world, Hana’s family is responsible for claiming the portions of clients’ souls that they’ll use to enliven their supposedly “soulless” children. Because the shop isn’t “like other ordinary pawnshops that [trade] in diamonds, silver, and gold,” Hana’s family doesn’t have “the luxury of sick days and weekends” (4). The family’s entire life—past, present, and future—is structured around the shop and its operation. In these ways, the pawnshop imposes a seemingly higher sense of duty on Hana’s family and entraps them in their world’s expectations.

Throughout the novel, Hana tries to escape her duty to her family when she leaves the pawnshop. She’s indeed looking for her parents as she ventures throughout her world with Keishin, but in doing so, she experiences the world independently for the first time. Once she leaves the confines of the pawnshop, she begins to discover all that life might offer. She disrupts her usual patterns of behavior and the routines that have governed her life since she was a young girl. In doing so, she pursues happiness and personal fulfillment outside the context of her duty.

The scenes of the pawnshop that Chiyo has recreated in the subterranean field further underscore the shop’s symbolic significance. She made a copy of the pawnshop underground because she still feels bound by her perceived duty. Toshio leaves the real pawnshop but ultimately imprisons himself in this same space when he rejoins Chiyo underground. Hana’s parents are thus trapped by their sense of duty. Hana can leave and thus free herself from these expectations.

Birds

The birds that Hana and her family keep caged in the pawnshop vault symbolize freedom. In the magical world of Water Moon, these birds represent the pawnshop clients’ traded choices. Once Hana and Toshio seize the choices from their clients, they must lock them in cages because “[a] bird that has tasted freedom would do anything to keep from ever being trapped again. It would reset time itself to change its fate” (36). For these reasons, Hana and her family are forbidden to let the birds out of their cages. Doing so would liberate them and thus disrupt their world’s perceived order.

Birds archetypally represent liberation because they have the capacity for flight. Wings symbolize mobility and thus allow the birds to transcend the bounds of the terranean world. This imagery fuels the novel’s thematic explorations of Freedom of Choice. In Hana’s world, making decisions isn’t a luxury she’s allowed. If she had free will, she would defy her life’s duty and thus upset the way her world functions. Indeed, Hana would choose not to operate the pawnshop if she felt free to make this choice. Without the pawnshop, the Shiikuin wouldn’t have the souls they need for the children.

The Shiikuin

Magical creatures that run Hana’s world, the Shiikuin symbolize fear. Every time they visit the pawnshop to collect the choices, they “corrupt the air with the [smell] of rot”: “The layers of their kimonos and their pale white Noh masks [do] not conceal the stench of rusting metal and decaying flesh from their patchwork bodies” (37). Even the mention of the Shiikuin is enough to terrify Hana and make her want “to retch.” Their scary appearance makes them repellent to the characters in Hana’s world. Everyone lives in fear of their wrath because the Shiikuin are known for being violent and merciless. At times, they kill those individuals whom they believe have defied them, while at other times, they delight in making their victims suffer. This is the case with Chiyo, whom the Shiikuin sentenced to a lifetime of longing.

Because everyone fears the Shiikuin, they can retain their power. Toward the novel’s end, Keishin wonders what would happen if the people in her world stood up to the Shiikuin instead of submitting to their threats. In Hana’s world, the Shiikuin are the “adult” version of the dead, “soulless” children. The people in Hana’s world bury these children because “they are different” and they fear that they “cannot control them” (352); however, these children turn into the very monsters that dictate people’s lives and fates. In these ways, the Shiikuin demonstrate how fear can dictate the course of an individual’s life, limit personal freedom, and even determine the course of history.

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