52 pages • 1 hour read
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Back outside the pawnshop, Keishin demands to know why Hana wouldn’t let the Horishi finish his work. Hana explains that she doesn’t want Keishin to know his fate or else he’ll “lose the ability to dream and hope” (97). Keishin insists that he wants to stay and help Hana find her parents regardless of the cost. Hana suddenly remembers the box of tea that Toshio gave her the night before.
After the Shiikuin leave, Keishin demands an explanation. The Shiikuin are masked creatures with talons, and Keishin worries that they’ll hurt Hana. She dismisses his questions, insisting that they go to Sobo’s teahouse immediately. To get there, they must share the same bed and fall asleep together. They can access the teahouse in their dreams. Hana tells Keishin a story to get him to fall asleep. She lies awake, studying his quiet face and wondering about his life in the other world.
Hana and Keishin fall asleep and emerge on the other side of the Midnight Bridge. Hana leads them to Sobo’s teahouse, located inside a kito tree. When Hana tells Sobo about Toshio’s disappearance, Sobo realizes that Toshio’s recent threat to go and find Chiyo was real. Before Chiyo’s exile, she gave Sobo a kioku pearl (kioku pearls contain memories). Chiyo’s pearl held the memory of her trial, but Sobo threw it away. She didn’t want to help Toshio either, convinced that he was living in a dream.
Discouraged, Hana and Keishin line up with the other dreamers to cross back over the Midnight Bridge. Meanwhile, they chat about what to do next and how one might bend time. The Shiikuin suddenly appear and try to apprehend Hana and Keishin. The companions race down the bridge, but only Hana makes it over.
Keishin jolts awake. He just barely escaped the Shiikuin, who grabbed and cut him with their talons. Hana realizes that they must go somewhere else to spread their secrets so that the Shiikuin can’t find them. The Shiikuin can smell secrets and use the scent to track people.
The two jump into a puddle and emerge at the Tokyo Station in Hana’s world. They stand on the platform and wait for the train.
While they wait, Keishin studies a puddle, remarking on the wonders of Hana’s world. Hana envies his ability to experience mystery and awe.
The companions “travel on the Sky Sea” to a village filled with stilted houses (131). At the docks, a kashu—or singer—offers to help them get to the Museum of Education. To do so, Keishin must think of a song and play it in his head. The companions will then travel on the song.
Keishin’s song transports the companions into a space that resembles his old apartment. In this space, he and Hana float further through the Sky Sea. While waiting to arrive at their next destination, the friends talk about home, belonging, dating, and love. Keishin explains what dating is, suggesting that he and Hana are on a date. He confesses his feelings for her and holds her hand. Hana counters his feelings but kisses him back when he kisses her.
The companions arrive at their destination. To reach the Museum of Education, they must travel through the sand.
At the museum, the pair stands in a gallery filled with paper cranes. Each crane is a memory that someone discarded. They’re regretful moments that changed the course of history. Saddened, Keishin begs Hana to come to his world with him after they find Toshio. Hana argues that she couldn’t survive there, although she doesn’t have proof.
Hana and Keishin meet with Haruto, Hana’s childhood friend who folds the museum’s cranes. Haruto reveals that Toshio visited him recently, and he takes Hana and Keishin into a private room to talk. Toshio told Haruto that he thought Chiyo was alive and asked him to fold time for him so that he could access what happened on the day Chiyo was exiled.
A month earlier, Toshio asked Haruto to fold time for him, begging Haruto not to tell Hana. She’s a lot like Chiyo, and Toshio feared that she’d go looking for answers. He then gave Haruto the Shiikuin bones he’d found—which contain memories from before the Shiikuin and are necessary to manipulate time. Haruto agreed to help Toshio.
Hana and Keishin discuss Hana’s betrothal to Haruto. She explains that Toshio arranged their marriage as children because he feared that Hana would be like Chiyo and run away if she wasn’t happy with her partner. He hoped that if she and Haruto grew up together, she’d fall in love and be content with him.
After leaving Haruto, the companions jump into a well to escape the Shiikuin. When they jump, Hana tells Keishin to think of a place far away; his memory will transport them somewhere the Shiikuin can’t find them.
As Hana and Keishin continue their search for Hana’s parents, they encounter another series of obstacles that challenge their perceptions of reality, themselves, and each other. Hana is from a world where everything has been decided for her. Since her childhood, she has known how her life will elapse. In contrast, Keishin is from a world where his future is a vast unknown. Hana’s world fascinates him because he longs to understand his meaning and purpose in life. Each character perceives their world as a trap. They therefore want to protect each other from their respective worlds. This is particularly true for Hana, who fears that if Keishin stays in her world, he’ll lose his Freedom of Choice and his right to the Pursuit of Happiness, which again highlights these themes. She regards each new setting they visit and person they encounter as a threat to Keishin’s future happiness—something she’s more willing to protect than her own well-being. At the same time, Keishin is willing to sacrifice his well-being for Hana because he considers his world limiting and meaningless.
The more time the characters spend together, the more protective they become of one another. Their protective tendencies are the first signs of their burgeoning love for each other. The way they speak to each other in scenes of dialogue or the way they privately reflect on one another conveys their developing romance. For example, in Chapter 16, Hana explains why she didn’t want the Horishi to show Keishin his fate: “Knowing your future would have stripped you of every choice, every chance you could have turned left instead of right” (97). To Hana, freedom means making one’s own decisions. She believes that she’ll never have this luxury but is determined to help Keishin preserve his freedom to choose and thus his right to pursue his desires. She speaks to Keishin in a direct, heartfelt manner that captures her authentic, selfless intentions. The same is true of Keishin. No matter how many times Hana demands that he leave her world to save himself, he reminds her of this: “You don’t have to do this alone, Hana. You said it yourself, none of this will matter when I return to my world. […] What harm will it do if you let me stay and help you a little longer?” (104). Keishin addresses Hana as an intimate, trusted companion. He doesn’t try to disguise his feelings and thus opens himself to her. He knows the risks he’s taking but is willing to do so on behalf of his new friend. This relational exchange between Keishin and Hana foreshadows how they’ll help each other pursue happiness, freedom, and desire on their own terms because they care about one another.
Throughout Part 2, the repeated references to memory, choice, mistakes, and time convey how the characters’ pasts are embedded within their present lives. The images of the pearl, the Sky Sea, Keishin’s apartment, the Museum of Education, and the paper cranes reify the role of the past within the present. All the characters are haunted by their mistakes, regrets, and memories they can’t forget. While Kishin’s old apartment represents his past loneliness, the Museum of Education represents the world’s historical woes. In some instances, the characters regard their memories as mistakes that they would “easily and gratefully” let go of if they could (152). At other times, their memories feel “like hard-fought treasure, each mistake a precious, priceless scar” (152). The novel thus suggests that an individual’s past impacts how they see themself in the present. Their life is either meaningful because of their choices or meaningless because they regret their decisions—whether good or bad. The characters’ choices are like the birds locked in the cages at the pawnshop. If the individual can set them free, they won’t haunt them anymore. However, if they meditate on them, keeping them locked within herself, they threaten to undo the individual.
These principles apply to Hana’s and Keishin’s experiences too. Hana knows where she comes from and thus the legacy she must fulfill. She knows who Chiyo was and how her mistakes hurt her family. She’s desperate to accept her life’s duty in the present because she fears repeating her mother’s past errors. Keishin similarly feels burdened by his past. His complex family situation shadows his life in the present and convinces him that abandoning his life in the real world is the best way to escape his regret and longing.
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