63 pages 2 hours read

The Eyes Are the Best Part

Fiction | Novel | Adult | Published in 2024

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Chapters 37-54Chapter Summaries & Analyses

Chapter 37 Summary

Content Warning: This section of the guide includes discussion of racism, sexual harassment, mental illness, graphic violence, death, substance use, and emotional abuse.

Ji-won returns to her car. She spots a pair of Nike sneakers in the grass and, stepping closer, sees that the shoes are attached to a man to whom she’d earlier given money and who is now lying still in the bushes. She checks his pulse but feels nothing: The man is dead. Following a strange instinct, Ji-won lifts his eyelids and finds that his eyes are blue.

Ji-won recalls the first dead body she ever saw, which was at the funeral of a neighbor. Without thinking, she removes the knife from her bag. She slips the blade beneath the man’s eyelids and cuts an eyeball out of his skull. She holds it against the light, considering whether to eat it. Hearing a sound from behind her, Ji-won shoves the man’s eye into a pocket and hurries off.

Chapter 38 Summary

Ji-won stops at a gas station near her home with a publicly accessible outdoor bathroom. She collapses onto the floor of the bathroom and, hardly believing what happened, removes the eye from her pocket and inspects it. She washes the blood off her hands and then rinses the eyeball under running water.

Before she can talk herself out of it, she squeezes the eyeball into her mouth. She finds it strangely delicious, and after swallowing, she drinks water until her stomach is full. Then she vomits into the toilet. The bowl is tinged pink, and she flushes the evidence away.

When Ji-won gets home that night, the rest of her family is asleep. Ji-won removes George’s license from his wallet and shoves it down the garbage disposal.

Chapter 39 Summary

Ji-won wakes in the morning to several messages from Geoffrey, all complaining about her lack of communication with him and accusing Alexis of sabotaging their relationship. Ji-won types back an angry message asking him to leave her alone.

Ji-won heads to her psychology class for the final. She feels odd and distracted while taking the test, unable to get the image of the human eyeball she ate the day before out of her head. She looks down and sees her hands covered in blood. She tells Alexis that she needs to leave class, but Alexis claims that there’s no blood on her hands and pushes her to finish the final.

After class, Professor Thompson approaches Ji-won and wonders whether she’s been to see any of the on-campus therapists. She tells the professor that she doesn’t need therapy. Ji-won then leaves class and, paranoid about being caught for her actions the day before, begins to hallucinate blue eyes sprouting from people’s bodies. She puts her head in her hands and runs off.

Chapter 40 Summary

When Ji-won arrives home, she overhears George talking on the phone in his bedroom. She approaches the door quietly to overhear the conversation. George is telling someone on the other end of the phone, whom he refers to as “Senator,” about being kicked out of the house by someone named Jen, which he says caused him to take up with Umma. He describes Umma in objectifying and disrespectful ways and then talks about Ji-hyun’s body and how attracted he is to her. Ji-won slams the front door of the apartment, pretending to just be arriving home. George comes out of the bedroom, looking guilty, and Ji-won promises herself that she’ll make him regret speaking about her mother and sister like that.

George notices that his license is missing right around the time that Umma and Ji-hyun arrive home. He accuses each in turn of going through his wallet and stealing it, but both deny the accusations. When they have time together, Ji-hyun asks Ji-won whether she took the license and then tells her that she’s been acting strangely lately. Ji-won flees to her bedroom, where she puts a pillow over her head and fantasizes about murdering George. Ji-hyun comes in, weeping, worried that her family is falling apart. Ji-won comforts her, terrified of Ji-hyun discovering her secrets.

Chapter 41 Summary

Ji-won finds out that she passed the final and calls Alexis to tell her the news. Alexis invites her to a party over the weekend, and Ji-won agrees to attend. Alexis also tells her that the police have found the mutilated body of an unhoused man in the bushes outside her apartment. He was apparently drugged with sleeping pills before being killed.

George plans to leave for a business trip to Thailand in a few days, which was where he’d been before being kicked out of the apartment by the mysterious Jen. Ji-won wants to tell her mother about George’s behavior but, remembering her mother’s reaction when Appa left, keeps it to herself.

Chapter 42 Summary

Ji-won hears George screaming. In total darkness, she crosses to where George lies in his and Umma’s bed, alone. Suddenly, Ji-won wakes to find her mother in bed and realizes that she’s sleepwalked into her bedroom. In the morning, Umma tells her daughters that she had a strange dream of a ghost watching her as she slept.

Chapter 43 Summary

With George gone on his business trip, Umma becomes obsessed with wedding planning. She takes Ji-hyun out to craft stores, returning home with bags of craft supplies. At night, Umma spends her time altering her wedding dress herself. She also creates a variety of paper flowers as centerpieces for the tables. She fills the storage closet with boxes and boxes of wedding decorations.

Chapter 44 Summary

Alexis has put out a large spread of food and drinks for the party, of which Ji-won is the guest of honor for passing her classes. Sitting close to Alexis on the couch makes Ji-won very nervous, and she becomes extremely aware of Alexis’s body and presence.

They drink champagne and tequila, and Alexis gently teases Ji-won for how red her face gets when she drinks. The playfully roughhouse, and the energy changes when their faces get close to each other. Suddenly, Alexis realizes that she’s missing her necklace, and the two women drop to the carpet to search for it, ending the potentially romantic moment.

Later that night, they stumble out onto the street, very drunk, to go find food somewhere. Alexis asks Ji-won to tell her deepest darkest secret. Ji-won dodges the question, and the two women tumble together onto the grass, laughing. Suddenly, a dark figure emerges from down the street, revealing himself to be Geoffrey. He pretends he just happened to stumble upon them. However, Ji-won is suspicious, as Geoffrey’s most recent texts have become increasingly erratic and desperate.

Ji-won tries to walk away with Alexis, but Geoffrey grabs her arm, telling her she’s making a big mistake. Ji-won tells him to let go of her, and he does, with slow reluctance, before stalking off. Ji-won tells Alexis she has to go home but needs to use the restroom first. In Alexis’s apartment, she secretly steals a handful of sleeping pills.

Chapter 45 Summary

Leaving Alexis’s apartment, Ji-won encounters a man in an alley, bleeding from a cut on his head. Ji-won asks the man whether he’s all right, and when he opens his eyes, she sees that they’re as blue as George’s. Suddenly, a wave of hunger crashes over her. Without thinking, she takes the knife out of her bag and starts to cut into the man’s eyes. The man wakes up and grabs Ji-won. She starts kicking at him, and with a sickening crunch, the man’s head twists sideways. He slumps against a brick wall, dead.

Ji-won sets to work cutting his eyes out. One of them is tough, so she bites into the cartilage to free it, sending the eyeball shooting down the back of her throat. She eats the other one, ravenously, and then stumbles out of the alley.

Chapter 46 Summary

On campus, Alexis seems preoccupied. When Ji-won asks her what’s wrong, Alexis tells her that a neighbor was robbed and murdered near her apartment a few nights back. Ji-won can barely remember that night, which feels more like a dream than anything. She tells the terrified Alexis that she doesn’t have anything to worry about.

When Ji-won gets home that night, she finds that George has returned from his trip. He, Umma, and Ji-hyun are gathered around the television. The news report is discussing two murders that occurred near Ji-won’s school, that of a student and an unhoused man. George opens his suitcase to give Umma gifts, and Ji-won quickly hides a condom wrapper in there before Umma can spot it.

Chapter 47 Summary

George has a Rolex watch that his father gave him and that he says is his favorite possession. Ji-won secretly takes the watch and heads outside at 3:00 am to destroy it. In the morning, George discovers his broken watch and brings it back inside in despair. Ji-won looks at George weeping and feels hope that he might leave their lives.

Chapter 48 Summary

A few weeks after the incident with the watch, Ji-won sees George driving quickly through traffic and resolves to follow him. She tails him until he parks and goes into a small, nondescript coffee shop. He emerges a few minutes later holding hands with a petite Asian woman in a sundress. Ji-won rolls down the window and slumps down in her seat so that she can overhear what they’re saying as they pass by the car. She hears George tell the woman that he was glad she called, and the woman tells George that she missed him. Ji-won continues to follow George as he goes to a downtown luxury apartment with the woman; she is furious about how he treats women, particularly Umma.

Ji-won drives home, where she encounters Ji-hyun. She asks Ji-hyun why she isn’t in school, and her sister bursts into tears, saying she feels as if nobody cares about her. Ji-won calms Ji-hyun down and promises that she’ll put a stop to George and Umma’s imminent wedding.

Chapter 49 Summary

George is frequently absent from the apartment, claiming to be preparing for a presentation for a major client at work. The night before his presentation, he quickly eats dinner with Umma and her daughters before retiring to bed. Ji-won sneaks into the living room and accesses George’s laptop, where she deletes his presentation and replaces it with one of her own creation. She also removes George’s notes from a folder and replaces each sheet with her own.

Chapter 50 Summary

In the morning, Ji-won heads home directly after her first class, planning on being present when George arrives home from work. He comes in the door already in a rage, throwing Umma’s wedding decorations to the ground and swiping at her dress. Then he pushes Ji-won to the floor and demands to know whether she was responsible. He tears open the envelope that had previously contained his notes. Pictures of young, nude Asian women in sexual positions float to the floor. George accuses Ji-won and, when she denies it, moves on to accuse Ji-hyun and Umma of sabotaging him.

Ji-won manages to convince George that his boss sabotaged him, not Ji-won or her family. George’s boss calls, and Ji-won listens as the boss screams at him over the phone. George hangs up and announces blankly that he’s been fired. George and Ji-won wordlessly clean up the papers. Afterward, George sits back on the couch, his face blank.

Chapter 51 Summary

At dinner, George tells Umma that he was fired. Umma tells George that she would be happy to support him until he finds another job. George, feeling emasculated, storms off to the bedroom. After a few minutes, he emerges and tells the family he’s going outside to clear his head. Umma watches the door for an hour, waiting for George to return, and eventually goes to bed alone.

Ji-won creates a fake dating profile, using the photo of another Asian classmate. It doesn’t take long for her to encounter George on one of the dating apps. She messages George, who asks her about her background and ethnicity, clearly interested. Eventually, they agree to meet up.

Chapter 52 Summary

It’s now one month until Ji-won’s first year of college will be over. George comes and goes from the apartment unexpectedly, spending less time with Umma than ever. Umma spends her days creating flowers for the wedding decorations. At night, Ji-won overhears her speaking to George on the phone, asking whether he even cares about the wedding at all. She tells him to call the wedding off if he wants to rather than continue to string her along. George hangs up on her, and Umma bursts into tears.

Chapter 53 Summary

Ji-won heads to Alexis’s apartment that weekend for dinner. Alexis asks Ji-won if everything is okay, as she’s been acting distant recently. Alexis reaches out and touches Ji-won, trying to comfort her, but the action sends a bolt of pain through Ji-won’s head. She claims she has a migraine and flees from the apartment.

Driving home, Ji-won spies a local bar and hears the sounds of singing and revelry. She circles the block until she sees a drunk man leaving the bar. She pulls over and offers the man a ride, and when he looks up at her, she sees that he has deep blue eyes. Feeling incredibly hungry, Ji-won speeds off with the man passed out in her passenger seat. She’s pulled over by a police officer but claims to be picking up her boyfriend, and he lets her go with a warning.

She drives to an abandoned lot and pushes the man out of her car. She leads the man deeper into the weeds and lets him down onto the ground. Then, she crouches over him, takes out her knife, and cuts his throat.

Chapter 54 Summary

The man awakens suddenly and bites Ji-won’s hand, breaking the skin. She stabs his neck over and over until the man lies still and silent. Ji-won tears his eyeballs out of his sockets with her hands and pops one into her mouth, moaning with pleasure. She’s just about to eat the other one when she hears a loud engine in the distance. She drags herself back to her car and drops the man’s eye into the cupholder. A mile down the road, she’s no longer able to resist, and she pulls over to eat the eye. Afterward, she leans against the window and cries.

Chapters 37-54 Analysis

The third section of the novel marks a significant transformation in both narrative tone and thematic development. The text employs Gothic elements to chronicle Ji-won’s descent into violence. Gothic fiction is typically characterized by a pervasive environment of fear, paranoia, and claustrophobia (often in association with an unreliable narrator), the intrusion of the past upon the present, and ambivalence toward its darker elements. These characteristics are present in The Eyes Are the Best Part, and while the novel is not a prototypical example of Gothic fiction, its influences inform the narrative progression—particularly the violent urges that Ji-won succumbs to, as these themselves become a form of entrapment from which she can find no way to free herself.

The narrative employs multiple techniques to portray Ji-won’s deteriorating psychological state. Hallucinations blend with reality, particularly in scenes where Ji-won sees blood on her hands that others cannot see. Dreams and waking states become increasingly indistinguishable, creating uncertainty about the reliability of events. The text uses this ambiguity to build tension while exploring questions of culpability and mental state. This mental state does not go unnoticed by others. Professor Thompson’s suggestion of therapy serves as an external acknowledgment of Ji-won’s deterioration, while Ji-won’s rejection of help emphasizes her isolation. Spatial dynamics also play a significant role in both Ji-won’s and the narrative’s development. The text employs a series of liminal spaces—alleys, parking lots, abandoned construction sites—as places of violence and transformation.

The use of mirrored textual elements contributes to the uncanny atmosphere of these chapters by creating a sense of déjà vu—e.g., George’s infidelity echoes Appa’s. In other instances, the narrative creates parallels for the sake of contrast, with one “purer” iteration of a character or concept contrasted with a corrupt variant. For instance, the potential romantic connection with Alexis provides moments of genuine human contact, while Geoffrey’s stalking behavior represents a threatening invasion of personal space. In another example of juxtaposition, Umma’s creation of paper flowers and wedding decorations represents attempts at normalcy and hope that contrast sharply with the reality of George’s infidelity and Ji-won’s violence. In this case, the text uses these domestic details to heighten the sense of impending disaster while further exploring the theme of gender norms; once again, Umma is in a passive position of hoping things will turn out alright.

The symbolism of eyes continues to evolve in these chapters. The novel has previously established eyes as multilayered symbols of cultural and racial anxiety. For instance, the novel opens with a portrayal of eye-eating as a cultural practice, stemming from the consumption of fisheyes in Korean culture, but it also registers Ji-won’s disgust with this practice—a feeling that figuratively suggests broader ambivalence about her ethnicity. At the same time, Ji-won has become ever more acutely aware of the white male gaze and its demands that she perform her race and gender in particular ways (developing themes of both The False Promise of Assimilation and Gender Expectations and the Performance of Femininity).

Ji-won’s consumption of human eyes unites these two dimensions of eyes’ symbolism. In one sense, it is an act of resistance to patriarchy and white supremacy, as Ji-won quite literally denies these forces the ability to surveil her by removing men’s eyes. Moreover, her consumption of the eyes suggests that she is taking these men’s (relative) power and privilege for herself. At the same time, its murderousness represents a corruption of Korean cultural practice, demonstrating how the cultural chauvinism of white America can corrupt even the most heartfelt of practices and symbols. Similarly, her belief that brown eyes would not taste as good as blue eyes hints again at internalized racism; her choice of victims is shaped not only by the kind of person she feels victimized by but also by the kind of person she wants to be, if only subconsciously.

The sequence of events underscores this idea. George’s professional humiliation and subsequent emasculation create a shift in domestic power dynamics. Just when George becomes emasculated, Ji-won’s violence increases and takes on more sadistic and disturbing forms. Ji-won can be seen as emulating George in those moments, taking his negative energy and funneling it through herself. In this narrative, violence serves as a reclamation of power, but its negative consequences also challenge the morality of unequal power dynamics of any kind.

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