74 pages 2 hours read

Moon Witch, Spider King

Fiction | Novel | Adult | Published in 2022

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Part 3, Chapters 17-19Chapter Summaries & Analyses

Part 3: “Moon Witch”

Part 3, Chapter 17 Summary

Sogolon, now banished and living in a rain forest, has little memory of how she got there, except for the time she spent in Omororo, a city in the south lands. She wanders in the jungle, hoping for death, but instead, she finds a deserted house. She moves in, carves her days into digestible segments, and sleeps the months away. She sleeps once for an entire year, waking to the same dark world, still haunted by some unnamed past. She learns to survive in her environment, giving the larger animals their space and not disturbing anything or anyone. She even earns a grudging respect from a troop of gorillas after she saves one from drowning. They no longer chase her and guard her house instead.

Only when she ventures into the city of Marabanga, the seat of the southern kingdom, does she realize she’s been living in the jungle for five years. The city boasts grand structures—“egg-shaped obelisks temples, houses, palaces” (364)—but Sogolon has little interest in architecture or people. She returns to her jungle home, watching the years pass and seeing the beasts and their offspring live and die. When she gazes into the river, however, she sees her own reflection, a face untouched by time.

One day, Sogolon sees a group of men sexually assaulting a young girl. From her perch in a tree, she kills four of them with arrows while the others run into the arms of two silverback gorillas. She points the girl in the direction of Marabanga, but days later, the girl’s mother drags her back, believing her “spoiled.” The mother tries to leave her there, but when they see the rotting head of one of the men, they both flee.

She wanders into a tavern at the edge of a fishing village, but she encounters several men who try to intimidate her. She kills all three of them, finishes her beer, and leaves. Two days later, women from the village follow her to the forest, not caring if she is a witch. A woman asks her to rescue her sister from warlords or to kill her if she is “spoiled.” Sogolon will not kill her, “for a woman can’t spoil” (371), so they offer her reward money to bring the girl back. She tracks the kidnappers and, summoning her wind, kills them or leaves them wandering and broken. The girl, however, doesn’t want to be rescued, and she slices Sogolon’s arm before Sogolon knocks her unconscious. Women from neighboring towns and cities come seeking her help. She is no longer Sogolon; she is known simply as the Moon Witch. Years pass and Kwash Moki dies, as does his son, whose reign lasts 71 years.

The Moon Witch only helps women, and most of the time, their problems are men. Over time, rumors spread of someone (or something) killing only men, but the women know the truth, and they keep it secret. When Sogolon hears of atrocities in the city of Go, she journeys there with a quiver of poison arrows. She finds the city—tall spires and obelisks—loosed from its foundation, floating in the air. She locates the designated house, but when she enters, all is darkness; the story is a trap. She is met by Popele (also called Bunshi), a water sprite, who addresses her by name, the first time she’s been called Sogolon in over 100 years. She tries to leave, but Bunshi creates a barrier of water that nearly drowns her. A tall woman and an old man enter the room. The woman, Nsaka, claims to be Sogolon’s great-granddaughter. The man, Ikede, is descended from a southern griot (traveling bard) who was with Sogolon during her time in Omororo, her time of lost memory. She has no reason to trust these people until she remembers that griots have adopted a written tradition. They don’t have to trust their memories because “Paper don’t forget, nor ink neither’” (383). 

Part 3, Chapter 18 Summary

Ikede tells his tale as recorded in the scrolls.

After leaving Keme, Sogolon journeyed south from Wakadishu, hiding among the Bintuin, a clan of nomadic horse and camel lords, until she reached the kingdom of Lish. She sought passage aboard a ship sailing around the eastern horn to Omororo. While she waited for the ship to set sail, she sensed the presence of Bunshi in her room one night—Bunshi was the catalyst for her journey, the one who “pull me from my man and my children without even a word why” (387). Sogolon was on a mission that would right 1,000 wrongs; Bunshi was still vague on the details but told her that a southern griot would be on board the ship to record her deeds for posterity.

When Sogolon killed a Sangomin in Kalindar, it warned her that its death would foretell Sogolon’s coming to others. True to its words, when she reached Lish, she was ambushed by another Sangomin. After a long chase and a battle on the rooftops, Sogolon defeated her attacker and reached the departing ship at the last moment. Her mission, she was finally told, was to kill a 12-year-old boy in Omororo.

Nsaka reports that all of Sogolon’s family are long dead, although Matisha, her eldest daughter, lived the longest. Bunshi then fills in additional memory gaps. She began to observe Sogolon after the Aesi’s death, curious about this woman with a power strong enough to defeat the king’s right hand. She came to her by the river and told her that the Aesi was fated to be reborn every eight years, and she must make sure that never happens. They were able to track him by observing the Sangomin who watched over and protected him. Citing scrolls from hundreds of years ago, Bunshi told her that when the Aesi reached 12 years, he would “reset” the world. These scrolls mention the appearance, time and again, of an Aesi, always at the right hand of a king, a man who history forgets until he is born anew. Only the scrolls keep that memory alive. If Sogolon could kill him on the eve of his 12th birthday, the line would stop and he would die for good. Otherwise, he would seek vengeance on her, his killer.

With this information, Sogolon left Keme and her children to take on this quest, but Keme, not understanding the stakes involved, was angry that she would abandon her family. On her way south, she stopped at a bookbinder and paid him to bind Emini’s scroll.

Ikede resumes the story. Aboard the ship and masquerading as a man, Sogolon tried to avoid unwanted attention, but she was a curiosity who seemed much older than she looked. As she assessed the crew, she found the navigator to be wise, the only one who saw through her disguise. On the 10th day, the ship encountered a violent storm. It was tossed like a cork, and a massive shape rose before them—a chipfalambula, a giant sea creature many times the length of the ship. It opened its maw, about to swallow them, when Sogolon saw Bunshi standing in the creature’s mouth, beckoning her and Ikede inside. They rode inside the chipfalambula all the way to Omororo. Once they reached the central city, Bunshi instructed them to seek a Green Witch who would give them shelter. Then, beyond the central city, they would find the village of the Asakin tribe, the people raising the young Aesi. Suddenly suspicious of Bunshi—someone seemed to be sharing their movements with the Sangomin—Sogolon decided not to follow the sprite’s advice but rather sought her own path.

After taking a roundabout way, she and Ikede arrived at the Asakin village, but all the boys were gone, undergoing the initiation rite of manhood. They stole a canoe and rowed out to the island of Wakeda, where Sogolon spied the boys, but she couldn’t identify the Aesi. She waited. The next morning, she observed a flock of circling pigeons. They land and peck the ground near one boy in particular. She followed the boys into the forest, where they took refuge under a canopy. She suspected this was the moment they would shed their boyhoods and become men: the moment she must kill him. She approached the sleeping boys, but the ground began to rumble, and out of the earth rose the spider-child, now an adult over three stories tall. She ran, but the massive spider pursued her, reeling her in with its web. She fought back with her machete and lopped off a hand, but another grew in its place. She tried to summon her wind, but it didn’t respond. The creature pinned her to the ground, held her mouth open, and tried to drip its burning venom into her, but its leg burst into flames. Ikede rescued her, despite the griot’s vow to only chronicle events and never intervene.

She pulled out her dagger, but the boys dissolved into dust—they were decoys. She ran back to the canoe, the griot furiously writing down what had passed when a massive flock of crows appeared, commanded by the Aesi. Sogolon and Ikede rowed away from shore, but huge waves rocked the boat. On the shore, a tall woman was carrying the boy. They watched Sogolon and Ikede row away, the boy “burst[ing] into a glow. Brighter, whiter” (423).

Bunshi continues the tale. The boy lived, and for generations of the Akum dynasty, the Aesi found his way to the king’s side, advising and corrupting him. Sogolon, distrusting the story and the three storytellers, threatens to walk out. They argue, Nsaka accusing Sogolon of forsaking everyone but herself during the Fasisi witch purges. Sogolon agrees to try once again to kill the Aesi, but they tell her they need a different plan. The Aesi, they say, is no devil but a god.

Part 3, Chapter 19 Summary

Sogolon returns to Fasisi, a city changed in a way she can’t define. It’s bigger and louder, a city reshaping itself for war” (430). Nsaka takes her back to her old home and introduces her to her great-great-granddaughter, Oseye. Sogolon asks about her family in the North, and Oseye runs through a litany of people and deeds, good and bad—some in military service, a fetish priest, a criminal, and even one of high esteem buried in the royal graveyard. Seeing the house again, Sogolon’s strongest memories are of her and Keme: the sights, sounds, and smells of their lovemaking. Oseye also reports that all the lions of the bloodline—full, half, or shapeshifter—have gone to live together in the grasslands. The following day, Nsaka takes her there, and she is met by a pride of lions. They recognize Sogolon as a member of the family. She spends the night with them and returns to Fasisi the next day, questioning Bunshi about more of her forgotten past.

Their journey takes them to Mantha, and on the way, Nsaka shows her the massive crater left behind when she destroyed the Sangomin so many years ago. The new Aesi, they tell Sogolon, can’t control minds, but he can control people’s physical actions and invade their dreams. As they climb the mountain to Mantha, Nsaka slips on loose rock and almost tumbles down the slope, but she stops her own fall, lifting herself back onto the path (her own unique power). They finally reach the summit, climb through a chamber, and find themselves in a wide-open space. Mantha is a fortress that rivals a king’s palace. Inside, they meet a nun who asks about Sogolon’s purpose and identity. “‘I kill people,’ I say and observe the long silence that follows’” (440).

Lissisolo, the sister of the current king, strategizes with Nsaka over how to keep her son safe until he can assume the throne as its rightful heir. With the Aesi’s spies everywhere, Bunshi claims she has found a “kingdomless prince” to raise the royal heir, but Lissisolo wonders why there couldn’t be a queen, and why it must be a man who rises to the throne. While they bide their time, Sogolon acts as Lissisolo’s bodyguard, preventing the assassination attempts sent by her brother. One night, while watching the sky from Mantha’s ramparts, Sogolon sees for the first time two winged dragons standing guard over the fortress. They are the length of six men, and they are only babies. Sogolon is fascinated and terrified.

When Sogolon returns to Lissisolo’s chamber, the princess tells Sogolon her story: Ordered by royal decree to join the divine sisterhood before turning 18, Lissisolo rejected the order as well as the gender norms imposed upon her; she rides, fences, and is an accomplished archer. However, she was “much more like a son […] to our father than he [her brother, the current king]” (446), and her father waived the royal decree banishing her so long as she married. She did and bore four children, but once her brother became Kwash Dara and assumed the throne, he killed her family and banished her to Mantha. Lissisolo asks Sogolon what stake she has in killing the Aesi. She replies that she is sick of this man who has taken everything from her.

Sogolon rides out to meet the Prince of Mitu and escort him to Mantha (to father a child to Lissisolo). Soon, the King Sister is pregnant. Six months later, Nsaka reports that she has found “the source of the Ewe drum to the west” (455): an ally and former advisor to the throne, Basu Fumanguru. Having fallen out of favor with the king, Fumanguru now offers wisdom against him. Fearing that the King Sister’s child will be born out of wedlock, Fumanguru marries her and the Prince of Mitu. Eventually, she delivers a baby boy, and they debate where to send him to keep him safe from the Aesi. Sogolon argues for Mweru in the far western reaches of the North, a place “even Kwash Dara would not dare try to conquer” (458). Later, one of the sisters reports the disappearance of another, and evidence suggests she may be in league with the throne. They fly out on the back of a dragon. When they catch her, she confesses that she was ordered by two men to send a signal if she witnessed any “strangeness” in Mantha. When Lissisolo became pregnant, she sent out the signal.

They rush to put their plan into action. Nsaka takes the boy to Fumanguru while Sogolon and Bunshi escort Lissisolo to Dolingo, an independent land free from the King’s reign. They travel inside the mouth of a chipfalambula, this one with trees and grass growing on its back. It lets them off near Mitu, and Bunshi leads them to a portal that transports them within a day’s journey of Dolingo, a passage that saves them weeks of travel. On the road to the citadel, however, Sogolon is pulled from her horse by an invisible force and beaten. She tries to fight back, but she swings into empty air.

Part 3, Chapters 17-19 Analysis

In the aftermath of Sogolon’s tragic loss—the death of her son and her estrangement from Keme—the narrative takes on the epic sweep of time. Sogolon finds herself living in a jungle with no clear memory of what came before. Time passes like a blur, and over a century of her life passes with little visible evidence of her physical age. The eradication of memory that has infected all of Fasisi seems to have taken its toll on her, and with this plot device, James comments on the power of memory to propel his characters’ lives forward and the Connection Between Memory and Identity. Without her own backstory, Sogolon settles into a physical stasis, idling her days among the apes, elephants, and hippos.

Despite living in a timeless, placeless blur, Misogyny and the Oppression of Women remains inescapable. While the inevitability of sexist violence can often be overwhelming, it gives Sogolon a sense of purpose. Only when she witnesses a group of men assaulting a young girl from a neighboring village is she roused from her inertia. As she finds a mission at last—avenging the crimes of men against women—rumors spread of a mysterious “Moon Witch” inhabiting the jungle. Once again, she has an identity; she is no longer Sogolon but an avenging spirit. Her identity in the story is fluid: first, she is “No Name Girl,” then Sogolon (her mother’s name), and now, Moon Witch. Her sense of self is defined by her actions, which adapt to her circumstances. With this, James implies that character and action define identity more than a name. Emini is King Sister; Likud is Kwash Moki; Bunshi the water goddess is also Popele. While this name fluidity can make the narrative difficult to follow at times, it also enhances the mythic quality of James’s world.

Chapters 18 and 19 launch the novel into its next act and incorporate new fantasy tropes; in a sense, the preceding portion of the book has been Sogolon’s backstory, and her true journey begins here. There is a new quest: protect Lissisolo’s son, restore the matrilineal line of power, and kill the Aesi once and for all. While Sogolon’s powers align her with the chosen one archetype, she is also the reluctant hero here; she does not trust what she is hearing and needs to be convinced to join the quest. Additionally, James incorporates elements of the portal fantasy subgenre in this new quest. As Sogolon and her companions journey through literal portals, navigation becomes a chief challenge since it turns out that the Aesi knows this world’s geography better than them.

In recounting Sogolon’s backstory, James also makes an observation about written versus oral traditions. Oral histories are more tenuous and archaic, subject to the biases of individuals and the distortions of time. Once lost, the cultural history may be impossible to recover. While written histories may be subject to the same distortions, they at least have the permanence of a physical record. This record is imperative in filling in Sogolon’s memory gaps, and one reason why the southern griots—the only historians who keep physical records—are hunted and eliminated. When a historical text is lost to memory, so too are the crimes of those who erase it—and the motivation of the oppressed to seek retribution. The Akum dynasty—for generations an “illegitimate” line—remains in power through the ability of the Aesi to wipe clean the slate of its crimes, purges, witch hunts, wars, and colonization. Sogolon’s long memory—filled in by a griot’s scrolls and a water sprite’s eyewitness testimony—is the real threat to the throne’s power. She remembers, and her thirst for justice coupled with her formidable power are poised to right centuries of wrongs, making her a parallel to postcolonial fights for justice.

These chapters also provide necessary history about the Aesi, a god who is reborn constantly over the centuries to bend the ear of the king, corrupt him, and maintain his power. He is the one constant, linking generations of patriarchal rule, and a return to the royal line of the King Sister is the one thing he fears the most. James’s world is on the verge of a feminist rebellion—Sogolon and her heirs (all with various iterations of her power), a male ally who communicates via an “Ewe drum,” and the kingdom of Dolingo, a metropolis ruled by a matriarchy are all representations of women’s power. While this power is often latent in Moon Witch, Spider King, James establishes the undercurrent of rebellion in the context of misogyny and the oppression of women, perhaps setting this universe up for a feminist revolution in the trilogy’s final volume.

Running throughout the narrative also is skepticism of the gods, and since the kings claim to rule by divine right, distrust of divine power means distrust of their entitled position. “Fuck the gods” is an oft-used idiom. Sogolon says to the river goddess, Bunshi, “If is one thing I know about divine born is that none of you steadfast in anything” (415). Myths are full of tales of gods with human frailties—sexual desire, anger, jealousy—and James’s personification of his gods as victims of their own passions establishes a link to Western and Eastern mythology. This link suggests that African and Caribbean cultures, long ignored by the West, have equally compelling stories as ancient Greece or Rome.

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