57 pages 1 hour read

Lotus Bloom and the Afro Revolution

Fiction | Novel | Middle Grade | Published in 2022

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary

Content Warning: This section of the guide includes discussion of bullying.

Lotus Bloom, a seventh grader in Miami, walks to her first day of school with her best friend, Rebel Mitchell. She can tell that Rebel is bothered that they are now going to different schools. Lotus is starting at the Atlantis School of the Arts, a new performing arts school that was built in their neighborhood, while Rebel is still going to MacArthur Middle School.

Lotus tries to make light of the situation, but Rebel gets angry. She complains about the fact that, instead of fixing MacArthur, they used money to build a new school. Then, they took away as many of the talented students from MacArthur as they could to funnel them into Atlantis. Lotus doesn’t understand why Rebel feels so passionately about the matter, but she acknowledges that it’s just part of Rebel’s personality: She is always finding ways to fight injustice.

To calm Rebel down, Lotus plays music on her violin. A few passersby comment on how good her music is. Lotus thinks of how her life revolves around music, but she is still not sure she will be good enough for Atlantis.

Lotus’s playing resolves the tension. They joke with each other and then say goodbye as Rebel turns toward her school. Lotus tries not to think how upset she is about leaving Rebel behind.

Chapter 2 Summary

At school, Lotus learns that there are no plans for the seventh grade students until Friday. The school is made up of only grades seven through nine, and while the other grades start their classes on Monday, Lotus’s class spends their time in the auditorium.

Lotus meets a boy named Dion, who compliments her afro and her “retro” clothing. He draws her, and the two become good friends immediately.

On Friday, Lotus goes to her classes. She has piano first. She is shocked that there is an entire studio devoted to piano, with individual keyboards and headphones. She has only ever received lessons through private teachers, so she is excited to be around other students. She meets a girl named Mercedes, who looks like “she was used to getting attention” but is nice and compliments Lotus’s hair (12-13). Despite liking Dion and Mercedes, Lotus misses Rebel, who has barely texted her back and doesn’t meet her before school anymore.

In second period, Lotus goes to beginner orchestra. The teacher, Mrs. Nan, asks each of the students to play a piece of music to introduce themselves. When Lotus plays, Mrs. Nan asks about her audition, but Lotus admits that she never had one; she just got an invitation in the mail. Mrs. Nan tells her that she should be in advanced orchestra and sends her with a note to the other classroom.

Lotus arrives to advanced orchestra and realizes that it is all eighth and ninth grade students. She is nervous but relaxes when she hears a few students comment on her style and her afro. She is shocked when she meets the teacher, Maestro Santiago Vasquez, a “former Cuban refugee turned international violin virtuoso” (15). He asks Lotus to perform for everyone.

Chapter 3 Summary

Lotus is extremely nervous, but, as she begins to play, she gets lost in the music as she always does. She plays Vivaldi’s op. 3 and feels herself being transported back to Amsterdam in 1711, when it was written. When she finishes, Maestro stares at her for several moments, and Lotus can’t figure out if he is happy or disappointed. He asks her if she knows the Bach Double, then picks up his own violin. Lotus is shocked when she realizes that he wants her to play with him. However, she does it, full of confidence again as she begins to play.

When they finish playing, Maestro tells Lotus that she possesses a “musicality” that is “so hard to teach,” with an “ability to feel the music and make others feel it, too” (20). To Lotus’s surprise, he tells the class that she is going to be the new concertmaster. He makes the current violin first chair, Adolpho Cortez, move down a seat. As Lotus takes her new chair, she realizes how angry Adolpho looks and she feels bad for him. However, Maestro dismisses him, insisting that Lotus will be more valuable to the class in his seat.

Maestro tells the students that they have two smaller concerts coming up before the one that matters on November 5: their first production. He sees it as a way to show the community that building Atlantis was worth it.

Near the end of class, Lotus feels something in her afro. She reaches up and finds a paper airplane. When she looks around, she can’t tell where it came from. However, the girl next to her, Tatiana Lee, warns her about Adolpho. She tells Lotus that his parents are doctors and are part of the reason why the school was built. As a result, their money and power makes them think they own the school, and it makes Adolpho feel that way by extension. As class ends, Lotus gets rid of the airplane and thinks of how it’s not a big deal; however, she can’t help being nervous about making enemies with Adolpho.

Chapter 4 Summary

Lotus wakes up on Saturday morning. She is disappointed that her father—who moved to France after divorcing his wife—didn’t call. She also has no messages or calls from Rebel. She puts it out of her mind and does her hair, taking time every morning to apply the right amount of product and using her pick to make it into the perfect afro.

When she goes downstairs, her mother and Derrick, her mother’s boyfriend, are there. She notes how her mother chooses to use chemicals to keep her hair flat. Lotus does not judge her for it, so she is annoyed when her mother always comments on her afro—as she does this morning. However, Lotus does not let it bother her, instead leaving for the beach.

Lotus comes to the beach every Saturday to sit by the walk in the same spot and play her violin. As she plays, she forgets about her parents, school, and Rebel, instead getting lost in the music. When she finishes, she finds that a crowd has gathered. They applaud her, then Lotus spots Rebel standing among them.

Rebel sits down next to Lotus. Lotus knows that she is angry, but she tries to make small talk about her week and school. It goes on for several minutes until Rebel can no longer hide her anger. She brings up Atlantis, telling Lotus how disappointed she is that Lotus left MacArthur to go there. She insists that if Lotus had stayed at MacArthur, she could have helped fight the community and the board to bring a better music program to MacArthur. However, Lotus argues that music is too important to her to be used as a tool. She can’t give up her future and the prestige of Atlantis for a political battle. Rebel continues to scold her, and Lotus grows angry that Rebel is not listening to her. When Rebel calls her a “sellout,” Lotus feels herself starting to cry. Rebel asks her, “[W]hy is it so hard for you to want to make a difference? What are you afraid of?” (36), then walks away.

After Rebel is gone, Lotus tries to play music again but finds that it can’t soothe her anger and hurt. Worst of all, she keeps wondering whether Rebel is right.

Chapters 1-4 Analysis

Central to Lotus’s characterization are several key conflicts that are introduced in the first section of the text. The first is the external conflict that is occurring within the Miami school district. On one side of the conflict is MacArthur, a primarily Black school that has existed in their community for decades. Instead of investing money into fixing it or developing its programs, the district decides to build a new school for the artistically gifted students. Central to this conflict is institutionalized racism: The district does not want to help all the students of color at MacArthur, instead choosing to funnel out and help only the gifted students by sending them to Atlantis.

Rebel’s insistence that Lotus is a “sellout” (36) for not supporting MacArthur introduces the theme of Collective Support Against Institutionalized Racism. In Rebel’s eyes, Lotus’s decision to attend Atlantis gives the district exactly what they want: opportunity for only the gifted Black students. She explains to Lotus, “Maybe if you stayed, you could, you know, be the change the school needs. You could go to school board meetings. Protest. Get some support. You could help, be part of changing how the county treats MacArthur Middle” (35). In this way, Rebel serves as a foil to Lotus. Her strong, forceful beliefs stand in stark contrast to Lotus’s indecisiveness and lack of understanding of the larger picture. As Lotus matures throughout the text, she will begin to understand the importance of supporting her community and standing up against the district’s racism.

While Rebel’s passion highlights the issues within the community, it ignores the complexities of Lotus’s situation. Lotus faces an internal conflict over what is best for her music career and what is best for her community. As a Bildungsroman, the novel explores Lotus’s growth and development as she learns to fit into society. Although she dismisses Rebel, insisting that she is “loyal to all [her] friends and [her] beliefs” (36), she also can’t help but wonder, after Rebel leaves, “Could she be right?” (37). This uncertainty emphasizes the complexity of Lotus’s situation: She can do what is best for her music career—attending Atlantis—or stay in MacArthur and hopefully bring about change for her community. This internal conflict introduces the theme of Finding One’s Voice in the Fight Against Prejudice. While Lotus considers herself loyal to the Black community, she also must be concerned with her own education and future music career. Even though Rebel is certain about how she feels and speaks her mind, Lotus needs to decide for herself if and how she is going to make a stand against prejudice.

The motif of music is introduced in the first section of the text as a key component of Lotus’s character. Music, in particular Lotus’s violin, serves as a way to escape, cope, and grapple with emotions for Lotus. For example, when she is overwhelmed by nerves when she joins the older students in advanced orchestra, she tunes everything out and focuses on her music: “It is always the same. I get lost in the music. I can’t see, think, feel anything but the notes and melodies turning into… light inside of me” (18). Then, when she wakes up on the weekend and is stressed out about her parents and Rebel, she goes to the beach to sit and play music. As she does so, she thinks how she is “floating high above the world where best friends might be ignoring you and mothers definitely don’t understand you. A world where fathers don’t pick up the phone or call you back” (30). These moments emphasize the important role that music plays in Lotus’s life. Her violin allows her to free herself from pressure, stress, and anxiety in her life, instead allowing her to focus on how music makes her feel.

The importance of music to Lotus introduces the theme of Music in Personal and Political Expression. Lotus struggles with how to articulate how she feels—at home, at Atlantis, and in her conversations with Rebel—but uses music as a tool to grapple with these feelings. She puts her emotion into playing her violin, which in turn serves as a form of expression for her. While her she may be struggling to find her voice, she makes herself seen and heard by Maestro, Rebel, her family, and her classmates through her musical ability.

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