47 pages • 1 hour read
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Leonard sits in Olive’s arms as they zoom down the road at night in a Winnebago. Leonard believes that humans get everything wrong about aliens but acknowledges that he does not belong on Earth.
Olive asks Leonard to remember her, but Leonard knows that his upcoming intergalactic travel will cause him to forget all his feelings for her. Leonard is not sure he wants to go back. Olive encourages him to type out a message, but he does not want to make the goodbye any harder. Olive pets him and calls him a good cat. He wants to type out a message telling her she is a good human. He begins the story of his trip to Earth.
For the last 300 years, Leonard has dreamed of going to Earth. He romanticizes ordinary Earthly experiences, like having hands and holding an umbrella. Aliens of his species get to go to Earth for a month and live as a creature in order to expand their minds and gather data. Leonard loves the human capacity for art and delight and chooses to be a human. He thinks about it for 50 years, deciding to be a National Park Ranger at Yellowstone. He practices telling jokes as humans do but doesn’t fully understand humor. He separates from the hive mind of his species and feels alone for the first time.
He hitches onto a beam of light and heads for Earth. He is so distracted practicing his jokes that he accidentally goes the wrong way and turns into a cat instead of a human. He is amazed by the feeling of having a body but feels underprepared to be a cat. He begins to recognize his cat instincts. He can feel a storm coming. He begins to smell the scents of Earth. The storm hits and floodwaters rise around the tree.
An 11-year-old girl in a rowboat comes to save him, claiming to be a girl scout. He tries to greet her but can’t figure out how to talk. She encourages him to jump, but he falls out of the tree into the water.
Leonard struggles underwater, feeling panic for the first time even though he is immortal. The girl rescues him from the water. He is immediately entranced by her human appearance. She tells him that she isn’t a girl scout anymore. They row back to a house, where Leonard learns the girl’s name: Olive.
Olive’s grandmother, Norma, yells at her for going out in the dangerous storm. Olive holds Leonard close and takes him inside. He trembles thinking about his mistake and how he cannot rely on his plan. He likes Olive’s daisy barrettes and believes she must be a flower enthusiast.
Leonard realizes he landed in Hilton Head, North Carolina, nowhere near Yellowstone. Due to Earth’s atmosphere, it requires all of Leonard’s alien species to pick him up to bring him home. His species is coming to Yellowstone in exactly a month, and if Leonard isn’t there, he will be stuck on Earth. In a “fit of utter devastation” (24), he destroys the curtains.
Leonard learns about how cats are often rescued from trees. Olive makes a bed for Leonard in her room. Leonard wonders how cats ordinarily communicate with humans. Olive tells Leonard about Norma and her past running a shrimp boat. Usually, Olive only sees her a few times a year, but this time she is staying with Norma all summer. Olive’s dad died when she was little and now her mom has a new boyfriend, Frank, who gives speeches as a life coach. Olive suspects Frank doesn’t want her around. Soon she may have to move to California with Frank and start over. Olive names Leonard after her great grandfather.
Leonard is unsure of his body. He finds it amazing, yet unsightly and small. He doesn’t understand why people waste their time sleeping. He explores the house and discovers a pile of mail. He reads a letter from Olive’s mom from California. Leonard feels jealous of the love Olive’s mom has for her and wishes to experience love. He misses home and feels tired for the first time.
Leonard dreams for the first time. In the morning, he hears a radio broadcast and learns he is in South Carolina. Leonard meets Stanley, Olive’s big, fluffy dog. Stanley looks at Leonard, communicating with only his eyes. Leonard meows back at him and the dog licks him. Stanley offers to keep Leonard’s secret about destroying the mail. Leonard tries to tell Stanley a joke, but it doesn’t go over well. Outside the ocean has receded.
Olive comes looking for Leonard and he feels bad about slinking off during the night. They eat breakfast and watch TV. Leonard is mystified by commercials and the many varieties of cereal. Norma asks Olive what she wants to do during the summer. Olive had hoped to help her friend Hazel with goats and horses, but here in Hilton Head, there’s mostly marine life. Leonard is embarrassed that he doesn’t know how to eat. He studies Olive and tries to eat, choking on his food. He tries again and feels like Olive is cheering him on.
Leonard is grateful that Olive doesn’t get mad at him for shredding the mail. Norma gets a call that she is needed at the aquarium and brings Olive along. Leonard sneaks into her backpack. Leonard wants to see people on the bus but feels stuck in the backpack. It grows hot in there and Leonard claws his way out, landing in the middle of the bus aisle. Leonard imagines he is performing a scene from an alien movie trope, arriving with shock and mystery. The bus driver asks them to leave the bus.
Olive asks Norma if she can keep Leonard for real. Norma isn’t sure that Frank would like that. Olive carries Leonard as they walk the last stretch to the aquarium.
Leonard isn’t supposed to trust humans or allow them to discover his alien identity. Leonard believes that people are good.
At the aquarium, Olive, Norma, and Leonard meet Q, an employee. Leonard is amazed by the aquarium and the creatures in the brilliant, blue tanks. Q makes jokes about the aquarium and shows Olive creatures they have saved and rehabilitated, including two huge sharks. Leonard feels safe with Olive.
Q asks Olive if she would be willing to help out at the aquarium during the summer. Olive isn’t sure; Frank told her she isn’t good at talking to people. Q pretends to talk to the fish and tells Olive that the fish think she is a great conversationalist. Leonard bops his nose on the glass and feels pain. He worries that, somehow, he has lost his immortality.
In the opening chapters of Leonard (My Life as a Cat), Sorosiak sets up the central conceit of the novel, following Leonard’s experience as an alien visiting Earth in the body of a cat. These early chapters set up Leonard’s emotional journey, positioning his initial alienation and discomfort as a foundation for the deeper exploration of identity, connection, and love that unfolds throughout the novel.
The novel begins in media res, or in the middle of the story, describing a high-stakes moment when Leonard, Olive, Norma and Q are “zooming down dark roads at midnight” (7) in a Winnebago. This image of movement and urgency creates dramatic tension, foreshadowing the physically challenging journey Leonard will undertake in the novel. Sorosiak introduces Leonard and Olive’s relationship when it has already developed into deep love and intimacy, foreshadowing the central emotional journey of the novel as Leonard learns to love. The opening takes on a tragic tone, as Leonard prepares to forget the way he feels about Olive and leave Earth forever.
After this glimpse into the future, Leonard recounts the events leading up to the midnight trip in the Winnebago, revealing who he was before his adventures on Earth and foreshadowing how much he will change throughout the novel, introducing the theme of Identity and the Struggle to Fit In. This narrative style foregrounds Leonard’s voice and perspective, grounding the story in Leonard’s unique, alien point-of-view. He narrates the novel in the first person, reflecting on past events and offering his own analysis of what he experiences. Leonard notices small details about human life, like the “delight” of “swimming pools, doorbells, elevators” (11), and other ordinary objects and experiences, focusing on their sensory and emotional resonance and establishing his lyrical and poetic voice. Leonard’s alien perspective allows him to approach these experiences with fascination and wonder; he notes how “humans might take these things for granted” (10) but he does not, emphasizing the positive and affirming side of his outsider status.
Leonard’s outsider status also poses significant challenges. He struggles to adapt to his cat body and judges it harshly at first with its “unsightly tail” and small shape. Since he had previously studied and prepared for life as a park ranger at Yellowstone, his research is useless, and he must adapt to a new circumstance. Leonard’s struggle to adapt becomes a metaphor for the broader theme of fitting in and balancing social convention with the discovery of one’s own identity.
Leonard’s awkwardness parallels Olive’s social struggles—she feels like an outsider among her peers and worries they all find her “weird.” This section introduces Olive’s emotional baggage and her parallel struggle to fit in. In the immediate comfort and intimacy of her relationship with Leonard, Olive is able to admit the reality of her strained relationship with Frank and the way his comments have caused her to doubt her ability to fit in. Through Olive’s struggle, Leonard gets his first inkling of the darker side of human life, challenging his belief that all humans are good.
Sorosiak also introduces a few other elements that highlight Leonard’s new vulnerability, introducing another key theme, What It Means to Be Human. After smashing his nose on the glass, Leonard feels “real, actual pain” (55) for the first time, making him acutely aware of his physical vulnerability and the fear that all mortal beings carry all the time. Leonard also begins to understand the emotional vulnerability humans feel in the face of social pressure to conform. He interprets TV commercials as messages telling people how they should live their lives, noticing the way Olive reacts to Frank’s insinuations that she does not conform enough. Leonard contrasts this pressure with the ease and comfort of his hive’s more unified and collective existence. This tension between individualism and social expectation becomes central to his understanding of humanity.
Sorosiak dramatizes this tension during the scene when Leonard sneaks into Olive’s backpack, attempting to follow his own instincts to see the world while also struggling against the social conventions of how a cat should behave. The backpack quickly becomes oppressive, “growing hotter” until he “can hardly stand it” (45) and he must break free. The backpack symbolizes his internal struggle to settle into this new identity that comes with rules he does not yet understand. Despite Leonard’s mistakes, Olive continues to care for him unconditionally, showing Leonard the strength that comes from forming meaningful bonds and introducing The Power of Unconditional Friendship, which will continue to shape Leonard’s experiences in the rest of the novel.
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