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The hymn recalls the birth story of Hermes, god of thieves and travelers. While Hera sleeps, Zeus visits the nymph, Maia, for a liaison. Months later, upon the “ninth moon," Maia gives birth to Zeus’s child, who is “[e]ndowed with wheedling ways, twists, and connivance”: the god Hermes (38).
The young god refuses his cradle one evening and, instead, ventures to find Apollo’s cattle. On his way, Hermes encounters a tortoise; he kills her, takes her shell, collects reeds, and uses the materials to fashion the first lyre. He plays the lyre and sings of his parents, particularly his mother and her beautiful, eclectic home. Suddenly, Hermes is overcome with a desire for meat (an appetite usually exclusive to humans, as gods can eat only ambrosia). He travels to the mountains of Pieria, where Apollo keeps his cattle, and is spotted by a man by the vineyard. Hermes realizes he’s been detected, and he warns the man to keep quiet.
Hermes fashions sandals and herds the cows away from the mountains. He arrives at a meadow and engineers the first fire. He then spears two cows and cooks their meat on skewers. However, though Hermes hungers for the meat, he finds himself unable to eat it: “His holy throat would not take what it longed for” (42). He hides the remaining cattle in a nearby barn and sneaks back home to his cradle. Apollo awakens the next morning to find his cattle missing. When he asks the man by the vineyard if he has seen any strangers pass through, the man recalls the odd scene of a baby with a staff herding cattle. Apollo sees a “slim-winged omen-bird” and knows that the robber is Zeus’s child, Hermes (45). Apollo rushes to Maia’s cave, where Hermes still lies in his cradle. Unable to outwit one another, the two brothers decide to have Zeus settle the disagreement. Apollo recalls the correct story, while Hermes spins a conniving lie, using his infancy to make Apollo’s account appear absurd. Zeus, seeing through Hermes’s lies, tells his sons they must work together to find Apollo’s herd.
Hermes takes Apollo to his cattle and plays the lyre. He sings of the gods and the earth, recalling the entire lineage of the immortals. Apollo is enchanted by the lyre. Hermes gifts Apollo the lyre, bestowing on him power over music. In return, Apollo gifts Hermes a whip, bestowing on him power over herding. Hermes promises to never steal Apollo’s assets again, while Apollo promises to love no other deity more than Hermes. Apollo gifts Hermes a “gold, three-leafed” staff for protection (54).
The hymn to Hermes centers the theme of familial conflict, specifically sibling rivalry. Unlike Apollo, Hermes does not threaten intergenerational conflict by challenging Zeus’s kingly authority. Instead, he challenges Apollo’s authority as the eldest son. Hermes’s playful nature is evident early on, and his innate curiosity toward the world gives way to brilliant inventions, such as the lyre; “He crossed the threshold of the high-roofed cavern / And found a lasting source of fun—a tortoise” (39). Hermes’s engagement with the tortoise includes a critical element whereby he learns the tortoise’s abilities and anatomy (i.e., her ability to hide in her shell) and that allows him to fashion the lyre. Hermes later builds sandals and engineers the first fire. These inventions emphasize Hermes’s addition to the pantheon and the new diversity of thought and knowledge that accompany him. Further, Hermes gifting Apollo the lyre solidifies his place amongst the gods as well as Apollo’s acceptance of him. The potential for future conflict is thwarted, and a reciprocal relationship between Hermes and Apollo is established. The two recognize each other’s strengths and highlight them by bestowing upon each other jurisdiction over the domains of their respective talents; the lyre for Apollo and the herding whip for Hermes.
This hymn also exposes the intersection of the divine world and the mortal world. Hermes is one of the only gods to experience infancy and to not be born fully matured. Most notably, he struggles to manage his craving for meat, as the gods are permitted only to eat ambrosia. To feed his craving, Hermes disregards the domains of the gods and crosses the threshold into Apollo’s territory. He tells his mother, Maia, “The cult Apollo’s got—I’m going to share it. / And if my father tells me no, I’ll then try / To be the king of robbers—‘cause I know how” (44).” These characteristics connect Hermes to humanity and the mortal experience, explaining his role in guiding souls to the Underworld and protecting travelers, or rather, those who cross boundaries.
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