55 pages 1 hour read

Across Five Aprils

Fiction | Novel | Middle Grade | Published in 1964

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Literary Devices

Setting

Irene Hunt’s use of setting is a prominent feature of Across Five Aprils, on both the large scale and the small scale. She uses the larger scale setting of the American Civil War as the backdrop for the story of the Creighton family. Several famous battles and generals and historical events are mentioned, all of which have a direct impact on the characters in their rural region of Southern Illinois. Jethro’s journey from boy to man is inextricably tied to this historical setting.

On a smaller scale, the novel is centered around the setting of the Creightons’ farm, which serves as a microcosm of the country. The colors and shadows of the land reflect the mental state of the characters, and the cabin seems to change as both the family and the country suffer through the destabilizing horrors of war. About halfway through the war, the cabin is described as having “the look of a lonely old man brooding in the summer sunlight” (114). By contrast, before the war, “the little house had buzzed with the teasing and squabbling and hilarity of a crowd of young people” (114). The sense of strong community before the war has been disrupted, a change that is reflected in the cabin itself.

The farmland that surrounds the cabin also plays a significant role, as Jethro spends a great deal of time out there—first with the adults, later by himself— plowing the fields and planting the crops. The setting of the farm represents family and responsibility, the two things that allow him to endure and grow through the many hardships he faces. The farm also, however, is a symbol of Jethro’s childhood which he must eventually leave behind. The one significant time in the book that the story departs from the farm is during Jethro’s trip into the town of Newton, an important step on his journey to adulthood. At the end of the novel, Shad and Jenny offer to help Jethro leave the farm and pursue his dreams at university. Although Jethro is reluctant to leave, it is implied that he inevitably will in order to achieve the promise of the future, just as the nation must also move on from its troubled past to reach a better tomorrow.

Bildungsroman

Across Five Aprils is a bildungsroman, or coming-of-age novel, which follows the life of a young protagonist as they journey from childhood to adulthood. The protagonist, Jethro, grows from a naïve nine-year-old into a thoughtful 13-year-old, shaped by the unique hardships and challenges brought on by the Civil War. The events of the war are all filtered through the eyes of Jethro, who provides a more personal lens through which to view such massive historical events. As Jethro is forced to face horrific tragedy and take on unexpected responsibilities, he learns how to deal with the challenges he faces, taking lessons from those he looks up to, like his father, Shad, Ross Milton, President Lincoln, and even Bill. He learns to handle problems himself instead of relying on his parents or Jenny to relieve him, as he realizes that all of the adults in his life—even the president himself—are all wrestling with the same grief and uncertainty that he is.

Diction

A distinctive feature of Across Five Aprils is the characters’ diction, which is closely tied to the setting. Most of the characters speak with a heavy rural drawl, which Irene Hunt represents phonetically in the dialogue. Characters use words like “fer” instead of “for,” “hev” instead of “have,” “git” instead of “get.” The characters’ accent not only ties them to the setting but also emphasizes their relationship to the South. Though the Creightons and their neighbors are part of the Union, their accents highlight the fact that, as Wilse Graham says, “you folks air closer by a lot to the folks in Missouri and Kaintuck than you are to the bigwigs up in Chicago and northern Illinois. You’re southern folks down here” (28).

There are two major characters in the story who speak with less of a drawl: Shad Yale and Ross Milton. Their more proper diction reflects the fact that they are more educated than the other characters. Milton offers Jethro a book to help him learn to speak properly, which Jethro happily accepts. During the scene when the Federal Registrars investigate the house, Jethro is embarrassed when they mock him for his accent, and he has the revelation that people outside of his community may judge him for his speech. After this, Jethro makes a conscious effort to try to speak and write properly, and throughout the book, Jethro’s diction and vocabulary become subtly more sophisticated though he never completely abandons his accent. The change in Jethro’s manner of speaking reflects how he has changed internally.

Irony

Across Five Aprils makes use of dramatic and situational irony in a variety of ways, particularly for readers who have prior knowledge of the American Civil War.

Dramatic irony occurs when the reader knows something the characters don’t, and this adds a new layer of meaning to what the characters say and do. At the beginning, Tom and Eb are certain that the war will be over within a week, and “soldiers up here kin take the South by the britches and make it holler ‘Nough’ quicker than it takes coffee to cool off fer swallerin’” (12). Most readers will already know that the Civil War lasted for several years and was not won easily by the North, which makes these words grimly ironic. Another example of dramatic irony happens when Ross Milton speaks of his fears for the future of the country, but says, “My hope lies in Abraham Lincoln. He has four years before him and the power of a mighty office […] if he can do this, then maybe peace will not be a mockery” (180). This statement takes on an ominously ironic meaning for any reader who is already aware that Lincoln will be assassinated soon after his reelection.

Situational irony occurs when something about a situation is backward or wrong in a meaningful way. One example is the enmity that arises between the brothers John and Bill, who end up fighting on different sides of the war. Brothers are meant to stand together and protect each other, but John and Bill become enemies because of their different viewpoints about the war. Another example is the fact that often the most dangerous threats the Creightons must face are not Confederate soldiers, but people on the Union side. Guy Wortman and his gang are members of the community who accuse others of being Southern sympathizers as an excuse to terrorize them. And later, the community grows tense again as they are swarmed by deserters, boys who had fought for the Union army, who have become dangerous because of the desperate situation they are in. A final example of situational irony happens when Dave Burdow rescues Jethro from Wortman’s ambush. Wortman attempts to cause Jethro’s wagon to flip by startling his team of horses, a situation very similar to the wagon accident that killed Mary Creighton, which was caused by Travis Burdow. Dave Burdow manages to save Jethro from an almost identical situation to the one that began the grudge between the two families in the first place.

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