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Content Warning: This section of the guide discusses physical abuse, child abuse, anti-LGBTQ+ bias, drug use, and racism.
Rex Ogle’s relationship with his Abuela in Abuela, Don’t Forget Me is an example of the transformative power of unconditional love. Abuela’s unwavering love and support for her grandson radically changes the trajectory of Ogle’s life. Her love shapes the way Ogle views himself and enables him to achieve his goals.
Abuela’s is the only unconditional love that Ogle has ever known. In his relationship with his mother, Ogle is frequently put down, abused, and neglected. With Abuela, Ogle receives the love and support that he is so often lacking at home. One of the ways Abuela’s love transforms Ogle’s life is by investing in his future. She begins to pay him for earning good grades in school, incentivizing him to work hard because: “[Y]ou are worth / investing in. You are special. / One day, you will do great things. / If you work hard” (106). Ogle is intelligent, but the instability and chaos of his home life often prevent him from achieving his true potential.
Once Abuela shows him how much she believes in him, Ogle begins trying harder in school, soon becoming one of the top performers in his class. Abuela is also the one who pushes Ogle to apply to the Junior Scholars program at Abilene Christian University, telling him that he has the ability to earn the scholarship. When he attends the program, Ogle’s life transforms further, experiencing a small surge of hope in his future.
This positive and hopeful trajectory continues as Ogle moves in with Abuela to be eligible for the Local Scholars program. Living in Abuela’s home reshapes his perception of himself. He realizes that “the stress, the violence, the degradation, the heartache of [his] old home / somehow stunted [him]” (148) while living under his mother’s roof. Now living with Abuela, who only loves and believes in him, Ogle no longer exists in a constant state of fight or flight. He notices that he is more confident, attracting friends and admirers at school. He takes another look at himself, now viewing himself through the lens of Abuela’s unconditional love for him: “still a striped animal, a human zebra / but / standing taller / painted beautiful / by Abuela’s own hand” (148-149). In this quote, Ogle gives direct credit to Abuela for “painting” him anew with her love.
Although Abuela’s love cannot protect Ogle from all hardship, as evidenced by his months being unhoused in New Orleans, her unconditional love ultimately leads him back to safety. After contemplating death by suicide, Abuela is the person Ogle knows that he can call who will save him. She does, asking no questions and only begging him to come home. When she tells him, “You are safe” (193), it enables Ogle to let go of the tension and trauma he has been holding in his body all these months, crumpling into her and crying with abandon in the safety of her arms. With Abuela’s love, Ogle can once again move forward and achieve his dreams.
In Abuela, Don’t Forget Me, Ogle details notable events in his childhood, illustrating how these events, both positive and negative, impact his life and self-perception. In doing so, he explores the impact of childhood experiences on adult life.
For Ogle, one major impact of his childhood experiences is that he struggles to believe he has any future at all, even as adulthood approaches. Although he is intelligent and capable, the violence and instability of his mother’s home result in a lack of confidence and belief in himself. When the principal begs him to stop getting into fights and focus on his schoolwork, asking him what he wants to be when he grows up, all Ogle can think of is: “[A] chasm opens up in me / a future full of darkness / because I already know: / I won’t make it past graduation” (117). Ogle genuinely believes in this moment that he will not graduate high school because his childhood experiences of abuse have worn him down.
Abuela’s support throughout Ogle’s childhood has always been an antidote to the instability and violence of Ogle’s home life with his Mom and Sam:
My abuela is the woman who encouraged me to read and write at an early age. Who bought groceries when my mom was unemployed, and we were living on food stamps […] She is the woman who offered her home to me when the violence at my mom’s became too much. (vi)
While Ogle did not live with Abuela full-time, the positive impact that she had on his childhood is evident on each page. In the above quote, Ogle not only details the material necessities that Abuela provided for him (food, shelter), but the emotional needs as well. Abuela supported him by supporting his education and providing him with the safe haven he needed, creating an important counterweight to his negative childhood experiences.
When Ogle’s father disowns Ogle upon learning of his bisexuality, Ogle’s decision to live on the streets of New Orleans rather than ask for help is a direct result of his adverse childhood experiences. He considers what will happen if he returns: “I think of Mom / laughing at me, saying, ‘You left, you’re on your own now.’ / And of course, the fighting that will return / if I return. / Then I think of me / asking for help / and decide / not to” (186). Despite Abuela’s unwavering support, Ogle’s abusive childhood makes him realize that his mother is not someone he can rely on for support, especially when it comes to a topic as sensitive as his sexuality. Therefore, instead of asking for help, he decides to go forth on his own.
It is notable that, in the end, it is Abuela who once more welcomes Ogle back in, without question or judgment. His story was close to ending, but it is Abuela that, through her support, enables Ogle to keep writing his life story. Although Ogle’s negative childhood experiences have impacted him, so have the positive ones Abuela gave him.
Ogle uses storytelling and poetry to process his past experiences and his emotions. For Ogle, poetry and storytelling are intricately linked with his Abuela, who encouraged his writing and love of poetry from a young age. It is a way that Ogle continues to feel close to her, even as her memory begins to fade with dementia. For Ogle, poetry and storytelling are more than a practice: They are a lifeline.
A significant moment in Ogle’s life is when Abuela buys him a journal. The journal is an important symbol of Ogle’s desire to matter: “[T]o be someone / more than my mother’s son / or my father’s forgotten child / more than a punching bag of bruises / more than the butt of jokes at school where / my lunch is free” (110). For much of Ogle’s life outside of the time he spends with Abuela, he experiences bullying at school, racism, abuse, and neglect. These adverse experiences communicate to Ogle that his voice and story do not matter. Ogle celebrates the fact that Abuela encourages this writing, crediting her with giving him his voice: “These are my words. / They do matter. […] And I still write. / I will always write. / No one can stop me from writing. / My words are mine, / with a voice given to my / by my abuela” (111-12). With his new journal, Ogle begins to rewrite his story and to heal from the trauma he has experienced.
The memoir contains elements of tragic irony, as Ogle writes as a way to process the difficult reality of Abuela’s fading memory: “[T]he only parent I’ve ever known who showed me truly conditional love, kindness, and support. And now she is forgetting me” (vi). The impact Abuela has had on Ogle’s life is so profound that, in her struggles with memory loss, Ogle feels “like a forgotten child” (viii). It is significant, then, that Ogle uses poetry and storytelling as a way to record their shared history: “So I write […] cherishing a recollection captured on a single page, losing myself in the echoes of the past” (viii). Although Ogle cannot change the present, or heal Abuela’s memory, he can do the work of capturing her love for him through writing, using the voice she gave him to honor her.
The written word acts as a permanent record of the impact Abuela has had on his life, something that will stand the test of time even after both Abuela and Ogle are gone: “She may forget. And one day, I may forget too. But for now, the memories are captured, like insects in amber, ready to survive for millions of years” (viii). Ogle’s testament to his abuela illustrates the healing potential of poetry and storytelling, reminding readers that the stories we write do not disappear, preserving the memories and impacts of those we love.
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