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This summary section includes Chapter 12: “Alexis, Blake, Krystle, Sammy Jo, and Magda,” Chapter 13: “The War After the War to End All Wars,” Chapter 14: “Pan Tadeusz,” Chapter 15: “The Sturm Before the Calm,” and Chapter 16: “The Beauty of Stupidities.”
Magda is still away from home days later, and Irena frets about whether her daughter passed her first-year exam at law school. Beata continues taking care of Bożena. One of her duties is to watch episodes of Dynasty, in case the old woman naps through the show. Bored with the Carringtons, Beata starts making up absurd plotlines and relates them to Bożena. She thinks about the “Big Life” that other people aspire to lead and concludes that this isn’t an option for her. On her way home, she runs into Kinga, who informs her that Magda failed her test. Kinga thinks this is because the system is rigged to favor students who pay tuition. Later, at the bar, Tadeusz finds the courage to ask Beata out for tea on Sunday, and she happily agrees.
Just before Władysław and Marysia’s wedding ceremony, the Half-Village community hears rumors that the Nazis are invading Poland. Everyone assumes that they won’t reach the mountains for a few weeks, so the ceremony proceeds as planned. Afterward, the guests return to the Hetmański house for the feast. As a surprise wedding gift, Czesław leads the married couple to a clearing in the woods, where he has built them a wedding bed. Anielica made the bed coverings and stuffed the quilt with down feathers. As the guests follow to admire the gift, the group hears planes overhead. No one anticipated a Nazi aerial attack.
In Kraków, Tadeusz and Beata meet for tea at a fancy restaurant. He talks about his family. His parents run a pawnshop, and he helps look after his many younger siblings. He explains that he only recently taught himself the clarinet. Beata encourages him to ask for payment as a professional musician instead of playing at Stash’s for free. He agrees to try. Beata reveals a little about her family. Her mother died when she was six, and her father, who had an alcohol addiction, left soon afterward. Her grandmother, Nela, took care of her until the old woman passed away. Beata came to Kraków partly because Nela encouraged her to live in the city for a while but has no definite plans for her future. On the walk back home, the couple agrees to meet up again.
Once the bombing begins in Half-Village, the residents take refuge in the woods. The next morning, Czesław and Władysław organize everyone and help them hide as much food as possible from the approaching soldiers.
Beata and Tadeusz soon establish a dating routine. They go to the movies on Friday evenings and to a milk bar (a state-subsidized cafeteria) on Sunday afternoons. Beata encourages his aspirations to become a professional musician but has no dreams of her own. Back at the flat, Irena frets about Magda’s absence. The girl has been gone for a month. Finally, Beata confesses that Magda failed her exam and is staying at a friend’s place rather than facing her mother’s wrath. When she comes home the following night, Beata is shocked to find that Magda has returned. The mother and daughter have a long talk. Surprisingly, Magda says that she studied the entire time she was gone in hopes of passing a makeup test in the fall. Beata offers to move out since she feels guilty that she didn’t tell Irena the truth about Magda, but Irena dismisses the idea.
This summary section includes Chapter 17: “Life As If,” Chapter 18: “The Cellar Under the Sheep,” Chapter 19: “Confessions,” Chapter 20: “The Difference Between Matrimony and Pierogi Ruskie,” and Chapter 21: “And What Are We to Do?”
As the war starts to take a toll on neighboring communities, the residents of Half-Village stick together. Czesław learns that Marysia’s entire shtetl was wiped out. The neighbors feel great pity for her and stop thinking of her as the Jewish convert. Shortly afterward, she gives birth to a daughter, whom they name Irena. The people of the region establish a Resistance network and maintain their allegiance to each other despite the Nazi invaders in their midst.
When Beata awakens the morning after Magda’s return, she’s surprised that the sniping between mother and daughter has ceased. Irena is more optimistic now that Magda is applying herself, and she proposes going to a local cabaret called The Cellar Under the Sheep. The three women agree to meet there on Saturday night, but only Magda and Beata show up. Once the performances start, Beata is enthralled and wishes Nela was alive to see them with her. Afterward, Beata feels a stronger connection to Magda, and the two confide in each other for the first time: “The bond between Irena and me developed slowly [...] but my friendship with Magda is forged in that one night” (132).
During the second year of the war, the village begins to feel the strain. Everyone is involved in the resistance, and Czesław is frequently away from the Hetmański farm. On one return trip, he brings the chalice used for communion in the church. The Nazis have taken over the building as a munitions warehouse. Czesław gives the ciborium to Anielica, instructing her to keep it safe.
By August, Beata, Magda, and Irena have worked out an amicable relationship in the small flat. Irena takes in tourist boarders, and Magda now works at the music club with Beata to earn extra money. One evening, Tadeusz gives Beata a video camera from his parents’ shop. She’s fascinated by the device but doesn’t know what to film with it aside from taping episodes of Dynasty for Pani Bożena.
During the war’s fourth year, the strain is taking a toll on everyone. Baby Irena continues to grow and thrive under Marysia and Anielica’s care, while Czesław and Władysław make their rounds for the resistance. Many older people have died because of the increasing hardship, leaving the younger generation in charge: “The same generation who had at the beginning of the war asked, ‘And what are we to do?’ began answering their own question, bravely, decisively, relentlessly” (144-45). Pan and Pani Hetmański plan a five-day trip to a nearby town to trade for the supplies they need. They tell Marysia and Anielica to stay close to home and even instruct little Irena to shut the door if strangers come by.
This summary section includes Chapter 22: “And What Are We to Do?,” Chapter 23: “Everything Will Be Okay,” Chapter 24: “Załatwić,” and Chapter 25: “Not Life.”
By September, Beata starts pondering her future and thinks about going to college. Meanwhile, Kinga returns from Italy after the au pair agency doesn’t work out. She plans to go to England next. In the meantime, she’ll tend bar at Stash’s along with the other two girls. After their Friday night movie date, Tadeusz encourages Beata to start filming something and suggests that she apply to film school in Łódź. The following Monday, Magda learns that she failed the exam. Rather than being depressed, she immediately makes plans to reapply as a paying student in the next term. She’s determined to become a prosecutor because a career in law is all she’s ever wanted. This aspiration starts Beata thinking about Łódź again. All the film studios are there, and Pani Bożena used to know people in the industry. On Wednesday, Beata suggests filming the old woman, who readily agrees. She’s still reliving her glory days as a starlet from decades earlier. When Bożena watches the footage that Beata shot of her, she gets depressed to see what she has become.
When Czesław returns to the Hetmański farm after being absent for days, he’s shocked by the scene that greets him. Both Marysia and Anielica are nude and tied up, the rape victims of two Nazis. Before the Nazis arrived, everyone was in the cellar, but Anielica ran out to secure the ciborium. She was caught, and Marysia tried unsuccessfully to rescue her. Then, Marysia’s Jewish family, who had been hiding in the cellar all these years, tried to intervene and got captured. Czesław manages to shoot the two Nazis. Marysia’s father and brother drag the bodies into the woods to bury them and burn all the evidence of their presence. For some time, Anielica is too traumatized to speak.
By October, Beata has worked as a bartender for six months. Her monotonous existence continues, with no end in sight. She suggests to Tadeusz that Irena might use her contacts to get him a clarinet audition at the cabaret. While this could constitute his big break, he seems listless and distracted and leaves hurriedly. At home, Beata asks Irena to arrange an audition, but Irena says that she wants something in return. Magda knows English, and Beata must convince her to write replies to all the thank-you notes Irena received from foreign guests over the years. Beata calls her bluff, and the girls force Irena to answer the mail by using Magda as her English translator. In sorting through the correspondence, they discover a sympathy letter regarding the death of Irena’s husband. Beata leaves the apartment to let mother and daughter process this bit of news.
When the Hetmański parents return to the village, they learn of the horror that occurred in their absence. Czesław reassures Pan Hetmański that he intends to marry Anielica as soon as the war is over. Her father is particularly worried about Anielica’s mental state. However, she rallies, and her bond with Marysia grows even stronger because of the trauma they experienced together.
The novel’s second segment continues its exploration of the theme of Building a Future. In this section, Czesław and Beata switch places in their upward and downward trajectories. While Czesław’s prospects in the early chapters were bright and he began realizing his dreams, obstacles derail his plans in this section. Half-Village is shaken by the news that the Nazis are invading Poland, but they don’t expect the imminent arrival of troops and thus celebrate the marriage as planned. The wedding chapter constitutes the last high point for the villagers as everyone is feasting happily, and Czesław presents a carved bed to Władysław and Marysia. This is his last construction project for some time as aerial bombers attack the region.
In an instant, Czesław transforms himself from a humble carpenter to a leader of the Polish resistance. He and Władysław find themselves organizing village efforts to keep the enemy from plundering all their food and livestock. The men must travel great distances as part of an underground network to impede the Nazis. Czesław’s plan to marry Anielica is waylaid indefinitely as his wartime activities consume more of his time and energy. The two don’t even have time to get properly engaged before both are swept up in activities for the resistance. The most devastating experience for both Czesław and Anielica occurs when two Nazis rape her and Marysia during one of Czesław’s extended absences. The Hetmański parents are also away, so no one remains to protect the women. Czesław doesn’t arrive in time to prevent the rape but succeeds in tracking down and killing the men responsible. The trauma of this event scars Anielica deeply.
In contrast to these dismal occurrences, life in 1992 Kraków is looking up for Beata and her circle. They all seem positioned to build a viable future for themselves. Kinga finally gets a job with an au pair agency in Italy and leaves the country. Although Magda fails her law school exam, she learns that the school is offering a makeup test. This motivates her to buckle down and study harder. Seeing her daughter apply herself, Irena becomes less critical and more supportive. In addition, her own fortunes rise when she attracts foreign boarders to her flat during tourist season, giving her extra income and thus some financial breathing room. A clarinetist at the music club shows an interest in Beata.
Tadeusz is a talented musician, so Beata encourages him to ask for payment for his performances and gets her aunt to use her connections to get Tadeusz an audition at a popular local cabaret. Likewise, Tadeusz encourages Beata’s interest in film, giving her a used video camera. The camera fascinates and frightens Beata because it is a means to pull herself out of her routine rut. In this segment, Beata complains about the monotony of her life but admits that she has no big dreams to pursue. The gift of the video camera changes all that. For the first time, she seems inclined to shake off her torpor and build a future for herself. She considers applying to film school and starts taping her friends at the bar. Later, she records an interview with Bożena and gets the old woman to talk about her life.
While the group in 1992 Kraków shows initial signs of forward momentum, their dreams all get derailed, at least temporarily. Kinga returns from Italy, soured because her au pair opportunity didn’t work out, and resumes working as a bartender. When Beata arranges an audition for Tadeusz, he rejects the idea and inexplicably limits his contact with her. Although Irena’s tourist business is booming, her correspondence with former guests unearths an upsetting letter about her ex-husband’s death, and Beata’s video footage of Bożena backfires when seeing herself on tape destroys Bożena’s glamorous fantasies. She can no longer harbor the illusion that she’s still a beautiful actress. This negative reaction to the video project makes Beata hesitant to pursue a career in film. Even after the communists are gone, building a future remains hard work.
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